……..Pig Gut Parka

When I was first invited to take part in this ‘experiment’, to recreate the original Native Alaskan Parka,  I was more than intrigued since it would enable me to revisit the collection of Native Alaskan Parkas at the Pitt Rivers Museum, Oxford.  I first encountered these examples almost 20 years at the museum and was struck by both the beauty and function of the garments.

In short, the original examples were mainly made from seal gut. The indigenous people would hunt, (sacrifice the mammal), then prepare the raw material , so that it was ready for piecing and stitching together into a simple garment pattern. This would involve different members of the tribes, in their specific roles.

So an opportunity to pay homage to these people, especially the skilled craftswomen involved in the latter stages of this process of making the garment, was a challenge I was keen to take on.

Below is a snapshot of the transformation of the gut from the drying stages to fabric construction, into the final garment.

medusa- -like ribbons drying on the line

 

 

 

 

 

 

 

 

 

Cut and pressed fabric in preparation for stitching

 

 

 

 

 

 

 

 

 

Pieced and stitched fabric panel

 

 

 

 

 

 

 

 

 

 

 

Machine stitched, treated and couched fabric samples

 

 

 

 

 

 

 

 

Pinning, stitching and adding embellishments sourced form Caswell Beech to a part of the fabric

 

 

 

 

 

 

 

 

Piecing panels together to make the hood

 

 

 

 

 

 

 

 

 

Front section of Parka. Detail of drawstring toggle constructed form reclaimed fishing rope

 

 

 

 

 

 

 

 

 

 

Parka- pieced, machine, and hand stitched with embellishments, and drawstring cuffs, hem and hood

 

 

 

 

 

 

 

 

 

 

 

 

Branded Porka Parka Pouch

 

 

 

 

 

Advertisement

loop and chain, to gut and garter, stitch and seam, to make the parka

Thought it was about time I started sharing information about the projects I am involved in, the things that interest me, and the ideas I have.

Included  here are images of my recent work from the group exhibition Everyone Everything held at the Ragged School, Swansea, South Wales

My instillation included a collection of material studies, alongside found objects, reclaimed materials, images and text, which were intended to create a narrative about some of the processes involved in making a piece of work.

This enabled me to extend my experience of working with unconventional materials, as well as to explore ideas related to ethical textile practice and sustainability, which were pertinent to both to this project and my own practice.